Mezzanotte
Deep teal shadows. Warm skin. Crushed blacks. Built for low-light receptions, candlelit ceremonies, and the quiet hour after the sun has gone. For the reception edit that always takes too long.
- Low Light
- Reception
- Filmic Grain
- Warm Skin
Edit your next wedding faster — and have it look like it belongs on a screen. Lussurro is a small house of cinematic Lightroom presets and video LUTs, built across twenty-three years and nearly a thousand weddings by Gary Nunn. For Sony, Canon, Nikon, Fujifilm, and iPhone.
Every Lussurro edition is built for a specific moment of a wedding day. Pick the feeling you're after — we'll take you there.
"Making emotional volatility look cinematic."
You've spent five years tweaking presets in Lightroom and you're still not happy. Skin tones drift. Greens go neon. Your edit takes a Sunday. Lussurro is the look you've been trying to build — finished.
You're hybrid now. Sony on the gimbal, iPhone in the pocket, both flat in LOG. You need a grade that handles skin, daylight, and the warm chaos of a reception — without burning a weekend in DaVinci.
The couple sees the photos. The couple sees the film. You want them to feel like one wedding, not two edits. Lussurro is built so your stills and your video finally speak the same colour language.
Slide left and right. Real images, straight from the camera, against one click of Lussurro.
Before
After · Mezzanotte
Cinematic wedding presets crafted in Lightroom Classic. Compatible with Lightroom Mobile, Adobe Camera Raw, and every modern RAW file — Sony, Canon, Nikon, Fujifilm, and Leica.
Deep teal shadows. Warm skin. Crushed blacks. Built for low-light receptions, candlelit ceremonies, and the quiet hour after the sun has gone. For the reception edit that always takes too long.
Soft contrast. Muted greens. Dusty highlights. Cinematic without going dark — for couple portraits and the slow light of an English afternoon. For when the gallery needs to feel like a film, not a slideshow.
Mezzanotte + Velluto. 24 cinematic presets. Save £69.
Wedding video LUTs hand-graded for Sony S-Log3 and Apple Log on iPhone — the cameras most wedding films are made on today. Compatible with Premiere Pro, Final Cut Pro, DaVinci Resolve, and LumaFusion. Tap a Reel to see each LUT in motion.
Reel · Bianco
1.5M
A pristine white. True-to-camera skin against lush, natural greens — the bright, clean palette of a ceremony in full daylight. For the bridal portrait you keep underexposing — fixed in one click.
Reel · Memoria
453K
Warmth into the highlights, deep greens held, lighter greens guided toward gold. For the wedding film that needs to feel like a memory, not footage.
Reel · Riviera
162K
Warm finesse with a tender hint of magenta in the skin. Highlights soften, greens relax — a quiet, classical look for couple portraits, golden hour, and the in-between moments. For the photographer who wants timeless, not trendy.
Reel · Pellicola Oro
136K
A golden film stock. Warm highlights, matte blacks, soft skin. For your highlight reels — the ones that need to stop the scroll.
Reel · Vetro
109K
Teal and orange, but restrained. A modern cinematic palette that holds contrast, enriches greens, and softens whites — without ever shouting. For the reel you want a thousand photographers asking about.
Bianco · Memoria · Riviera · Pellicola Oro · Vetro. The complete cinematic palette.
The full Lussurro grading system in one acquisition. Every preset. Every LUT. Built so your photo edit and your film edit finally look like one piece of work — the way couples actually want to see their wedding.
"Lussurro is the look I've spent two decades refining. The colour, the weight, the quiet drama of a wedding day told like a film."
Gary Nunn has photographed close to one thousand weddings since 2002. He is the creator of Fusion® (Photo & Film) and works from the Cotswolds, where his cinematic approach to documenting weddings has reached an audience of nearly six hundred thousand viewers in the last month alone.
Lussurro is not a marketplace pack. It is the house style of a working photographer — built on real wedding files, refined on real shoots, and made to work the way photographers actually work.
Mezzanotte saved my entire reception edit. One click and the mood is instantly there — no more endless tone-curve fiddling.
Velluto has become my default for couple portraits. It feels like film without trying too hard. Genuinely beautiful work.
Finally, presets built by someone who actually shoots weddings. The skin tones alone are worth every penny.
The Lussurro preset collection is built in Lightroom Classic and delivered as both .DNG and .XMP files — fully compatible with Lightroom Classic, Lightroom Mobile (free version), Lightroom Desktop CC, and Adobe Camera Raw. Designed for cinematic wedding photography, the presets work on any modern RAW file from Sony, Canon, Nikon, Fujifilm, and Leica cameras — including the Sony A7IV, Sony A1, Canon R5, Canon R6, Nikon Z8, Nikon Z9, Fujifilm GFX, and Leica SL3. Skin tones are preserved, highlights roll off softly, and the cinematic mood lands in a single click — built across nearly one thousand real weddings.
The Lussurro video LUT collection is hand-graded for Sony S-Log3 and Apple Log on iPhone — the two formats most wedding filmmakers shoot today. Delivered as .cube and .3dl files, the LUTs are compatible with Adobe Premiere Pro, Final Cut Pro, DaVinci Resolve, and LumaFusion. Whether you're cutting a wedding film on a Sony FX3, Sony A7S III, Sony FX30, an iPhone 15 Pro, or iPhone 16 Pro, Lussurro LUTs apply a cinematic grade tuned for skin, daylight, and the warm chaos of a wedding day — built on real wedding footage by a working photographer-filmmaker.